SheвЂ™s behind all reasonable and right decisions against the hot-headed leader of the survivors. Is she brave? Yes, much braver than the hero. How does she react to the fact that saving the hero cost her friendвЂ™s life? She suffers in silence but lets our hero know she does not blame him. How does she enter the story? She saves the heroвЂ™s life at the beginning of the game. Meet the main woman NPC in the game, Jade Aldemir. And that lack of depth is what makes them weak. I could not say if it was the outside pressure to create вЂњstrong female charactersвЂќ or simply the writerвЂ™s own choice, but the end result is women of Dying Light as paper-thin angels, saviors and leaders. But with an ideological goal like that, when itвЂ™s not about being human and itвЂ™s about a calculated social statement, itвЂ™s very easy to lose the ship to the cardboard shallows. I do believe in the honesty of the writerвЂ™s intention. this issue of positive representation and portrayal of female characters is something near and dear to my heart. However, the failure to achieve that goal all begins with this quote: Combine that with the fact that вЂ“ while still being a minority among light and heavy core gamers вЂ“ more and more women are interested in games, and itвЂ™s no wonder that Techland wanted to make sure that the women of Dying Light have more dimensions than one. That is the way to go, and itвЂ™s no wonder that Telltale enjoys immense commercial and critical success. We have seen such approach in TelltaleвЂ™s similarly themed The Walking Dead, where every NPC character is three-dimensional, even the most innocent ones: I donвЂ™t want to spoil the surprises and twists of the side quests involving a certain boyвЂ™s brother or the voice in the cellar, but letвЂ™s just say that they were the major reason behind the skyrocketing of my own personal score of the game.Дying Light works best, then, when itвЂ™s a grim story of survival, and thus itвЂ™s no surprise that вЂњbelievable, realisticвЂќ characters would only enhance the immersion. However, in the second half of the game, Dying Light finds its own voice and starts telling engaging, even if simple stories of real human drama. These characters, forced and with all too obvious geneses, are more embarrassing than interesting. We have seen madmen in Far Cry and schizophrenic grave robbers in Red Dead Redemption, and now we have a creepy Gazi who talks to his dead mother, and a Gas Mask Man who keeps fresh air in a bag. In its first half, one of the things that Dying Light unsuccessfully tries to copy from other games are quirky NPCs. But itвЂ™s quite interesting to analyze why. If weвЂ™ve done our jobs right, we have given these women believable, realistic lives. Continued abuse of our services will cause your IP address to be blocked indefinitely.This is what one of the writers of Dying Light said about the three major women in the game: Please fill out the CAPTCHA below and then click the button to indicate that you agree to these terms.

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